My Ru Pedagogy (III): The Discipline of Body in Light of Religious Pluralism

In 2019 Fall, I continued to help students to discipline/nurture their bodies in light of philosophies and religions they learned in the course “Introduction to Comparative Religion: Eastern,” (PHL 112, Washington College), just like what we have done in “Introduction to Ruism/Confucianism” in 2018 Fall (https://atomic-temporary-150405650.wpcomstaging.com/my-ru-pedagogy/). The new feature of this assignment is that students can conceptualize their practices from the perspectives of multiple traditions: Hinduism, Buddhism, Ruism (Confucianism) and Daoism. In the following, you will find some examples of amazing works that students have contributed:

Archery was one of the six classical arts that constituted the major curriculum at Confucius’ school. Confucius once used the practice of archery to explain the importance of civil and rational debate (Analects 3.7), and his follower, Mencius, used it to describe his method of self-cultivation (Mencius, Gong Sun Chou I). Therefore, let’s see how Kate, a certified archery trainer, performed and explained archery in Ruist terms. In my view, she should start a club of spiritual archery somewhere in the United States.

Archery and Confucius

In this course, we spent much time to study and practice varying forms of meditation in different traditions. As intrigued by this learning process, Jack, an athlete student, explained how meditation in locker rooms can help him to play games better. The power of “visualization” in the state of deep meditation was highlighted, and engendered many discussions from other students as well.

Meditation in Locker Rooms

Since this is a class of Eastern Religions, we cannot miss the practice of Taiji martial arts. I actually invited one Taiji teacher to come to the classroom for a demonstration during the semester. Inspired by this, Laura started to learn the art through watching Youtube videos. I am extremely proud of her excellent performance, given such a short period of her learning and practice. As encouraged by Laura’s performance, in 2020 Spring, I will teach the full 24 moves of the Yang-style Taiji martial art in the class “Ru and Confucianism” (PHL 394, Washington College), so students that are able to finish all the moves can get a certificate from the class!

Chen-Style Taiji Martial Art

Calligraphy is the Taiji martial art in strokes, and because the practice of it combines one’s muscle and intelligence, it is especially favored by scholars. In the class, Maegan belongs to the sort of students who, because of their intelligence, are always suspicious towards traditions that downplay languages and discursive thinking. Therefore, she chose Chinese Calligraphy as the fittest way for her to meditate her mind and discipline her body.

Calligraphy and Meditation

I have to admit that Lanning’s work in this assignment is among the most impressive. He made a drum following some indigenous tradition in the U.S., played it, and explained the entire practice using Daoist terms from Zhuang Zi! He described that this is how he connects to the cosmic Dao and follows the natural Pattern to imitate the example of the Butcher Ding! Oh, Gosh, can this assignment be performed even better?

Drum, Music, and Zhuang Zi

Big Congratulations to All of these Wonderful Students! I am so proud of them!

Ru Literature: Enjoying the Rain on a Spring Night

In the Analects, Confucius says that learning is “inspired by Poetry, established through Ritual, and consummated in Music” (Analects 8.8). Poetry thus occupies a central place in traditional Ru (Confucian) learning.

Over the years, I have compiled an anthology titled Ru Literature: Enjoying the Rain on a Spring Night, featuring major figures in the Ru literary and philosophical tradition, including Zhuge Liang, Li Bai, Du Fu, Liu Yuxi, Zhang Zai, Zhu Xi, Xin Qiji, and Wang Yangming.

I typically use this anthology at the beginning of my course Ru and Confucianism to introduce students to the basic mentality and spirituality of the Ru tradition. I also draw on it at various points when teaching the history of Ru philosophy.

The full text can be downloaded here:

If you feel moved to support this translation, you may do so here.

2020

小年夜感懷

天地各自上下
大年何戀小年
每日平賺一日
天藍雲活海鹹

無題

華中壹毒千都難
偏安東溟悚心寒
惡意懷揣終無赦
有道無道不變遷

02/01/2020

靜坐吟

萬世升平入息
千帆歸復出息
一日三面伏羲
炫目虎登熠熠

12/06/2020

A concerto for daily renewal.

One thing after another,
Endlessly.
Finish one, slowly, carefully,
and then, pause,
relax, reflect, regather
for a while.
Start the next.
No day is without things
No year is without days.
No life is without years.
That’s how we feel
Peace
And remain centered
In this everyday world.

12/04/2020

耶誕庚子立意


吾輩就學在自寧
妻女友儒與學生
何由虛名擾自性
得閑譯經東海溟

12/23/2020

年近四十依舊立志真儒事

年界不惑真無惑?
自性難移情難卻。
文章托付千古後,
夢醒無須問幻蝶。

12/28/2020